About Kyle Bragg

Kyle is a fan of all things gore and explotation with a particular interest in the depraved works that have come out of Italy over the years. After studying the art of bullshitting in the nation's capital for four years, he hopes to pursue a more fulfilling career of turning people into zombies and splattering actors with blood in the near future.

Taeter City (2012, DVD Review)

Directed By: Giulio de Santi

Cast: Monica Munoz, Riccardo Valentini, Wilmar Zimosa, Ortaez Santiago, Giulio de Santi

PURCHASE FROM NECROSTORM / PAL All Regions / Not Rated / 16:9 / Dolby Digital / 80 Minutes

DVD Extras: Taeter City soundtrack / Animated shorts / Behind the scenes look at some of the special effects / Official trailer

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“Take a tour in the city of cannibal dictatorship.”

Set in the future, Taeter City is run by The Authority, a dictatorship that has restored order in the once crime rampant city. Using the Zeed System, control is maintained through the emission of radio waves which affect the brain of anyone prone to violence and in turn forces them to commit suicide instead. The Authority’s biker officers collect the bodies and finish off any suicide that isn’t going according to plan. After the bodies are collected, they are processed and re-used as mass-produced fast food through an Authority affiliated company called Taeter Burger. When the Zeed System doesn’t work against Trevor Covalksky, The Authority and its elite biker officers (Razor, Shock, and Wank) may be in for more than they bargained for.

The acting is nothing spectacular and the voice acting is simplistic and kind of goofy. The saturated colors create a dream-like atmosphere and the sci-fi technology is cheesy yet imaginative. Interspersed throughout the narrative are comical commercials for Taeter Burger and messages from Caronte, the head of The Authority, which is an interesting attempt at showing the omnipresence of the dictatorship. The one thing that this movie lacks is nudity. There are a lot of nice cleavage shots of Monica Munzo, but that’s it. I guess the filmmakers didn’t want to overload their viewers with too much awesome.

The true star of this film is the special effects. This movie is literally an Exxon-Valdez of crimson with just enough story to keep things moving forward until you get to the next massive gore set-piece. People dismembered, heads crushed, appendages removed, and bodies exploded. While the film does contain CG, it more than makes up for it with the use of practical effects—often at the same time. There is no use of CG for simple headshots here *cough*TheWalkingDead*cough*, but rather it’s used where practical effects would either be too difficult or not provide an adequate level of insane violence. As soon as you hit play, prepare yourself for a non-stop barrage of gore and violence on a level you’ve never seen before. This movie is a must see for any gorehound. Taeter City truly delivers on its promise of “’80s vibe, sci-fi, action, violence, blood and again blood.” Did I mention there was a lot of blood?

Love Camp 7 (1969, DVD-R Review)

Directed By: R. Lee Frost

Cast: Bob Cresse, Maria Lease, Kathy Williams, Bruce Kimball, John Alberman, David Friedman

Something Weird Video / DVD-R (For those not in the know, SWV has digital copies of their entire catalog and burns their own DVD-Rs for each individual order; the “special edition” ones you can find in stores are actually released through Image Entertainment) / 1.33:1 fullscreen / English Mono / 96 Minutes

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Love Camp 7 was the first nazisploitation movie ever made, goose stepping its way on to the silver screen in 1969, at least half a decade before more notable titles like Ilsa: She Wolf of the SS and its Italian counterparts reared their Stahlhelm adorned heads. The story primarily follows two women (Maria Lease and Kathy Williams) who are recruited from the Women’s Army Corps by a joint Allied council to be sent into Nazi Germany to track down a female, Jewish scientist in order to get vital information from her before it falls into Nazi hands.

Unfortunately for the two women, but fortunately for us viewers, said scientist is being held in Love Camp 7—a Nazi recreational camp where the prisoners are forced to fulfill every desire of the visiting Nazi officers. A planned arrest lands these two patriots behind the walls of Love Camp 7 where they begin screwing their way to their objective, facing all sorts of depravity along with way. The story ends in an orgy of sex, violence, and some of the most unattractive lingerie ever and features some badass gunshot effects and some hilarious acting from a wounded Nazi officer.

I found the story of Love Camp 7 to be a bit more engaging than the stories of other nazisploitation movies (I feel dumb for even writing that) but where this movie truly soared above its successors was in the sex department. While most nazisploitation movies use their stories as an excuse to parade naked girls in front of the camera and have them terribly act out the effects of poorly executed torture and simulated sex, Love Camp 7 did not hold back. This movie not only packs in the nudity and simulated sex, but also brings in some acts that would make the most hardened “roughie” directors blush.

“Thank you sir, may I have another!”

As is standard for nazisploitation movies there is a shower/hosing down scene followed by a medical inspection; some camera angles during the inspection scene lead me to believe the butch nurse may have actually gone knuckles deep into some of the prisoners. One delinquent occupant gets the pleasure of sitting on “the seat of honor”—two pieces of plywood angled to an edge—which she is held on with ropes, only to be pushed harder down onto it when she continues not to cooperate. One of the lovely undercover gals gets strapped up and actually whipped. I mean really whipped. You can see her ass bruising and welting up as it goes on. Once you see this movie, you’ll understand why it was one of the original “video nasties.”

Movies such as Pasolini’s Salo, or the 120 Days of Sodom, Luchino Visconti’s The Damned, and Bertolucci’s The Conformist take the extreme political ideologies of the World War II era and associates them with sexual perversion in order to try to create a more accessible understanding of why people chose to support the given parties. R. Lee Frost merely used the Nazi Party as a vehicle to show some depraved sexual acts and damn if he didn’t do it well.

Since this was a DVD-R straight from the fine folks at Something Weird Video, there were some hidden gems tacked on after the credits. There was a trailer for Mario Caiano’s Nazi Love Camp 27, complete with pre-trailer warning that it had been cut and some blacked-out scenes; a trailer for the exploitation extravaganza A Scream in the Streets; a Something Weird Video promotion bit that played over scenes from some of their films (not the “World Famous Opener” that plays before most of their films); a LSD induced, psychedelic rock jam sessions completely with people dancing, tripping balls, and more light effects than an ELO concert; another SWV promotion clip that looked like it was straight from a 1990s VHS; and the whole shebang ended with a different acid induced jam session that was intercut with magazine ads.

All-in-all, Love Camp 7 was a solid movie and is a must have of any exploitation collector. The few extras at the end of the film were a truly pleasant surprise and proof that the folks at Something Weird Video are truly the best when it comes to all things weird in film.

Lindberg v. Gemser: Secrets of Sweet Sixteen / Looking Good (DVD Review)

Directed by:  Ernst Hofbauer (Secrets of Sweet Sixteen), Dick Randall (Looking Good)

Cast:  Christina Lindberg, Marina Blümel, Claudia Fielers, Philippe Gasté, Peter Hamm, Laura Gemser

Mars Productions / Region 0 / Not Rated / Widescreen / English Mono / 76 Minutes, 58 Minutes

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No, this isn’t the sexiest Supreme Court case in the history of the United States; it’s the most misleadingly titled double-feature in the history of exploitation films.  But don’t stop reading just yet.  Although these flicks don’t really deliver on the two starlets it promotes, there are some upsides to this double bill.

Ernst Hofbauer’s (The Schoolgirl Report Series) Secrets of Sweet Sixteen (also known as Was Schulm?dchen verschweigen/What Schoolgirls Don’t Tell) is a collection of five vignettes that are packed with some of the themes and acts essential to any sexploitation movie.  The first starts with a pedophile picking up a girl a young girl after school and bringing her to his apartment basement only to be thwarted by two concerned, young, and sexy tenants that stop his pedophiliac plans by stripping for him to distract him until the police show up.  The story then jumps to a chain-smoking doctor and a priest discussing the events of the two heroic tenants in pseudo-psychological terms before one of them recounts the story of a young girl who attempts to seduce her philandering mother’s fling only to end up getting more than she bargained for.

The next segment is the only portion that has Miss Lindberg in it and probably for all of 7 minutes.  One guy tries to help his girl-shy buddy lose his virginity by letting him play peeping tom on one of his trysts to learn some moves before he invites over a girl for each of them a few days later.  This kind gentleman sets his friend up with Lindberg’s character “Babs” (I wish I had friends like that), but he just can’t seal the deal.

The lovely Miss Lindberg

The penultimate segment features a group of teenagers hellbent on having a sex romp despite not having a safe haven to do so, so they decide to go at it like dogs in heat in the village’s post office which is owned by one of the girls’ fathers.  Throw in a pervy mailman and this vignette is packed with all kinds of kooky hijinks.  The last story features a satanic cult that needs a virgin to sacrifice and the pursuit of said sacrifice.  Unfortunately the naïve, ideal specimen is always with her Italian fiancé and his group of buddies.  After she is captured and chained to the altar, the young mafioso bust in and a Three Stooges-style fight erupts between them and the occultists, who, after taking off their robes, are actually massive, muscle-bound Germans.

This half of this double feature is by far the stronger of the two.  While not as gritty and debauched as most sexploitation movies, Secrets of Sweet Sixteen does pack in plenty of nudity and sex acts with women of all shapes, sizes, and ages; the tone, however, is more comical than hot and sensual.  The fact that this half of the pack champions Miss Lindberg isn’t a complete fluke because during her small amount of on-screen time we do get the pleasure of seeing her rack.  Hidden throughout this 76 minute movie are some hilarious lines of dialogue (“Uh-uh, no bra. Girls looking for action never wear bras.”) and twists in the stories that may not be all that surprising but are still entertaining.

The special features on this half of the DVD are few but worthwhile.  There is a collection of trailers from Burbank International for such titles as The Female BunchRun Virgin RunMoonlight Mistress, and Blazing Sands.  The only other and best special feature is an audio commentary track done by David Hayes, Kevin Moyers, and 42nd Street Forever creator Jeff Dolniak.  Although the commentary track lags a little behind what’s being shown on-screen, it is packed with hilarious and raunchy musings on mullets, Winger, rape, sex, pubic hair, bukkake, and so many more depraved and politically incorrect topics.

The description of Looking Good (directed by Dick Randall, who has produced a plethora of exploitation movies, billed here as “Corliss Randall”) on the back of the DVD case describes this flick as a work video where sexploitation goddess Laura Gemser “doesn’t even break a sweat as she whips her minions into shape using all sorts of torturous exercises moves.”  This couldn’t be farther from the truth.  The film features Gemser, her co-host Jill, and four women dressed in the most unattractive of 70s workout attire gyrating, air humping, and spreading their legs through some of the strangest aerobic exercises.

The beautiful Miss Gemser

With a swanky 70s soundtrack, awkward slow-motion and still frames, and Gemser’s dubbed narration that sounds like a self-help/don’t kill yourself audiobook, this feature is truly bizarre.  Like Lindberg in Secrets of Sweet Sixteen, Gemser is largely absent from this flick.  Although she randomly jumps into assist her “minions” by pushing on their various body parts, most of her on-screen time is spent sitting in a wicker chair holding a book describing the exercises (which are all done in sets of eight, for some reason)—no wonder she “doesn’t even break a sweat.”  The best part comes at the end of the movie when Gemser’s nipple is clearly visible in her deep-V cut shirt as she sits on her wicker throne and discusses the work outs. Although I wasn’t expecting much from a workout video, this half of the double feature was a complete let down.  There wasn’t even anything remotely funny or worthwhile besides that nip slip which is a minuscule fraction of what you can see in any of her other movies.

So, the overall verdict on this double feature is that the title is extremely misleading and that Secrets of Sweet Sixteen pulls all of the weight.  If you can find this disk for $5 like I did it’s definitely worth picking up just for Lindberg’s half—that is unless you like watching girls in terrible spandex outfits dance and gyrate around for 58 minutes.  Lindberg definitely takes the title in this bout of Euro-sleaze heavy weights, even if it was a terribly, terribly promoted match.

Chillerama (2011, Theater Review)

This modern midnight movie masterpiece is bad in all of the right ways. The five-movies-in-one touches all of the cornerstones of Drive-in and B-movie history while keeping a contemporary style and providing all the right gags that are so bad they’re good.

The main storyline of Chillerama, also known as the “Zom-B-Movie,” centers around the last night of the last drive-in theater in America which is playing never before released movies and the various patrons—more specifically the teenagers trying to get with or get in the pants of their dates; Cecil Kaufman, the drive-in owner contemplating suicide after the final credits roll and a handful of other minor characters. However, in the opening sequence, one of the drive-in employees ventures across the street to a cemetery to relieve some unsettled sexual tension with his presumed dead wife. Her re-animated body gives him a highly contagious, sex drive-skyrocketing virus while removing some very important anatomy. He ventures back to theater where he contaminates the popcorn and begins the infection of the theaters patrons.

Intersecting this overarching story line are four faux films that will make and B-movie cinephile giddy with delight. The first, “Wadzilla” harkens back to the monster movies of yesteryear except it replaces the biologically mutated monsters with a killer, genetically enhanced sperm that wreaks havoc on 1950s-esque New York City. After a climax, in more ways than one, between this super-sized spermatozoa and the Statue of Liberty, this bukakke of B-monster bliss leaves the cast and viewing audience with a mouthful of laughs—and maybe a few other things.

Next on the bill is “I Was A Teenage Wearbear.” This riff on Rebel Without A Cause and beach blanket bingo films exchanges bikini clad bombshells for leather clad lads. Young Ricky, played by gay porn star Sean Paul Lockhart, has his repressed homosexuality awakened by greaser gang leader Talon who bites him during a gym class wrestling match and awakens his inner “werebear”. Complete with beach-based dance routines and luaus laced with lacerations, the bad boy werebear Talon is brought to an end not with a silver bullet but a silver… baton… of sorts.

Next on the dusk till dawn drive-in marquee is “The Diary of Anne Frankenstein.” This nazisploitation knock-off takes the story of Anne Frank and goose-steps all over it. While hiding out in the attic, Anne begins reading the diary of her grandfather which contains the secrets of his biological experimentations; that is until the gibberish speaking Hitler (in a completely German-speaking cast) and his brown shirts burst through the wall, kill everyone, and confiscate the diary. Hitler then compiles his killing machine monster, unknowingly complete with payots, tallit, and yamaka, named Meshugannah (played by Kane Hodder) who turns on him and kills the Führer and his lustful mistress Miss Braun.

Last, but not least is the sexscatsploitation film “Deathication”. This phony film starts with a warning from director Fernando Phagabeefy who warns the viewing audience that this film will indeed make them shit themselves to death. The few minutes of the film shown shows a muscleman blasting his glutes while dropping a deuce, big titted biddies getting shitty, and all kinds of other shit that make our inner middle schooler chuckle with glee. Unfortunately/fortunately, this segment is cut short as the zombie orgy takes over the drive-in and the undead literally fuck everything in sight.

Chillerama and all of its comprising films are very well-directed by their respective directors. The style of each of the films—even the post production effects of grainy film stock and malfunctioning film reels—feels right and are in no way forced. This film does use some CGI (which I normally look down on in films unless it is 110% necessary) but it does serve a purpose here, how else are you going to have a giant sperm rampaging through New York City? The CGI is blatantly used and is in no way supposed to be convincing, just like the special effects used in eras past when viewed today.

The four fake films featured in Chillerama, as well as the main story that threads them all together, truly captures the heart of the bygone staples of B-movies and drive-ins passed while keeping the ideas fresh and entertaining. This film, collaborated on by four directors; Adam Rifkin (Detroit Rock City), Tim Sullivan (2001 Maniacs), Adam Green (Hatchet), and Joe Lynch (Wrong Turn 2), truly delivers on its tagline of being “The Ultimate Midnight Movie”. From gross-out gore and gags, references to what seems like every movie/director/actor/famous line ever said in a film, topless chicks, and a stellar cast (did I mention this film features Lin Shaye (Insidious), Ron Jeremy (countless porn), Eric Roberts (The Dark Knight) and Richard Riehle (Office Space)?), this film truly acknowledges and appreciates its roots while giving its viewers a refreshing take on the genres of yesteryear that we all know and love so much.

Chillerama will be released on Blu-Ray, DVD, and for digital download on November 29th, 2011 on Image Entertainment.